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Alison Harris: Press

Alison Harris Channels Sebastopol Wilds with Debut Album

Sitting on her grandfather's back porch in Sebastopol, Harris watches the pines and bay trees along the creek line. It's a sight she knows well. Harris was raised in the quiet coastal burg, in a world that sometimes seems frozen in time, far removed from the sound and fury of the cities just to the south. And east. And north.
She lived in Chico for a year or so. "Staying out late, drinking too much, getting into trouble," she says. But Harris always seems to come back here. She visits her grandfather's house at least once a week. Her parents still live nearby, in a vintage trailer outside neighboring Laguna de Santa Rosa. But it's more than family connections that draw her home. These winds, streams, fields and redwoods all gold and yellow, infect her soul. you can hear them in her music.
For a long time Harris resisted calling herself a folk musician, afraid of the mellow sounds the label implied, but ultimately came to embrace it as her destiny.
"It took a long time to out myself as a folk writer," said Harris. "I thought it made me sound to sleepy. But the mellow pace of life really gets to me. It's a beautiful area; the weather is absolutely perfect."
Her debut CD, Smoke Rings in the Sky, is permeated by the molasses pace of Sebastopol life- from dreamy southern lullabies to lonesome drifter ballads, these are songs meant to be heard sitting on the veranda in the twilight hour as the warm breeze plays through the cattails. But even her more up-tempo music, like the infectious ditty 'Train Hopper," feels like it comes from another time, like sea shanties or Depression-era anthems of itinerant hoboes.
Her music feels like it has the weight of ages behind it, which might be because the Harris family history is inextricably entwined with music. Her father is an elementary school music teacher, her cousin Damon fronts bay area blues trio Chow Nasty and her grandfather founded the indie record label Omega, on which both Alison and Damon play.
"Grandpa calls it the mad bug," said Harris. "The whole family's all got a little, whether you want to call it a streak of mental insanity or just imagination."
Harris grew up practicing the piano and violin. She started singing in choir at age six- something she pursued all the way through her years as a music major at Cal State Sonoma. She began writing music when she was 13, finding that she was more interested in creating her own songs than learning others' by rote. Inspired by the husky Lucinda Williams and Gillian Welch (and pushed by her cousin Damon), Harris finally plunged into the family business.
"Some things I write about seem so personal to me, but people come up after the show and say, "Wow, I really relate to that," said Harris. "Even if people have different lives, there's a commonality of experience. When I perform, I don't put on a crazy show like some people- it's more a medium to go into emotions."
With her musical blood it's easier to communicate the depth of her feelings in song than in words. For Harris, songwriting is about mining the deeper recesses of her own personal soul, though in doing so she accidentally taps into something universal.

-Mike Rosen-Molina
Mike Rosen-Molina - The Synthesis (Aug 11, 2008)
"These days, female singer-songwriters tend to be either super-slick American idols like the Dixie Chicks or indie-folk weirdos like Joanna Newsom. There's no middle ground, nobody to take up the mantle of a Lucinda Williams or Beth Orton. But maybe that's where Sebastopol native Alison Harris fits in. On her debut album. she croons about loneliness and longing with a grace that listeners across the musical spectrum should connect with. Much like Randy Newman, whose "Guilty" she has covered in concert, Harris has the right voice for her songs; her smooth, arid tone provides the perfect distance between her heartbreaking details and her band's tasteful playing. The twangy "Mockingbird," in which she tries to coax a loud-singing lothario out of her sycamore tree, and the bluesy waltz "Trainhopper," during which she spies on a rail-riding tweaker, are plenty feisty. But Harris is at her best when she spins sad yarns, such as the from-the-grave love song "Angelina". If she keeps this up, she could emulate another Harris- Emmylou- by earning the love of underground and mainstream music fans alike. A-"

Dan Strachota, San Francisco Magazine, August 2008
"In a desert of so many overhyped undertalented Myspace fueled ultra-buzz performers and their singles...eh hum, I mean albums, 'Smoke Rings in the Sky' is an oasis of honesty and depth."
Liberation Media
"Harris' cozy alto, and the occasional piano goes down like a Lime Rickey: refreshing and sweet, with just a little kick. Drink it up."
RHAPSODY
Rhapsody
Curing the Heart

I was feeling a bit lonely when i listened to Alison Harris's album Smoke Rings in the Sky, but Harris's soft songbird voice and gentle melodies cured my melancholy instantly. Though she sings about loneliness and yearning, she does it in such a graceful way that it seems impossible for her music not to cure those exact emotions. Her songs, which mix an all-American beat with a cheerful folk and indie twist, make her album perfect for an early morning pick-me-up with a cup of coffee in one hand or an escape from a lonely moment with an unavoidable achy heart.
At the age of five, Harris began violin lessons with her father, and at nine, piano lessons. Harris began writing her own compositions when she was 13 and finally picked up the guitar in her early 20s. She was raised with studies of Beethoven and Bach while also being exposed to blues piano and artists such as Ray Charles, Johnny Otis, Patsy Cline and Ella Fitzgerald, though her biggest female singer-songwriter influences are Lucinda Williams, Emmylou Harris and Gillian Welch. Harris's lyrics are sincere and honest in the way they explore the emptiness and fulfillment of the heart. Her home in the Sebastopol Valley of California, with its serene creeks, redwood trees and coastal breeze, clearly influences the composition of her music. While listening to her delicate voice, you can almost imagine yourself in the environment her music suggests. So if you're in the mood to escape into complete tranquility or just simply sit back and relax, this album is the one for you.

-Courtney Jacobs
Courtney Jacobs - Eugene Weekly (Aug 14, 2008)
"Alison Harris is a fresh sweet sound that evokes memories of the legendary Kate Wolf."
ABC RADIO
ABC Radio
"An original voice and talent as pure as a crisp mountain morning. Alison Harris is a true American muse, not since the days of Joan Baez have we heard such a sincere and playful love of melody."
KALX RADIO
KALX Radio
"Alison Harris sounds like a country songbird perched on Bonnie Raitt's shoulder. She sings about loneliness and longing with a grace and beauty that almost makes those things desirable."
SF MAGAZINE
SF Magazine
"Alison understands the most important thing: The Language of Song. Her melodies and phrasing are organic,natural,there is nothing pretentious in there. She has that remarkable ability to make you stop what you are doing and once again give your self into that odd little language thats speaks to you like no other form of communication. I will always maintain that this can never be taught, it is given to you.If you respect the language,your job will be easier. I've always felt that Alison understands this."
David T. Carter - Trailer Park Rangers
“Alison has a purity to her voice similar to a Karin Bergquist or Joni Mitchell – while retaining her own uniqueness; her music is gentle and perfect for a morning in the mountains.” – Matt Hopper, Hatcher Pass
Matt Hopper - Hatcher Pass Records